Olive Oil and Egg

Another quick painting. I attempted this scene from life a few days ago and failed. I just did not have it in me to take on all of the greens, ambers, and other colors in the olive oil bottle. I think this one worked out fine and I am pleased with the color work and the lighting. This was from life and the colors turned out much more realistic than from working from a photo. The still life was set up near a window to allow natural lighting to hit the objects. The background is my daughter's blue shirt.

Small Portrait of my Wife

Here is a small 5*8 portrait of my wife, Cindy.

Crucible

I recently finished this painting keeping with the unique still life theme. I setup the scene in my garage against the unpainted wall. The vase is a find from an antique store. It was small, delicate and had an interesting color and reflecting qualities. The wood "chunk" that the vase is sitting on is a block of Brazilian cherry that I intended to create a carving from. That hasn't happened yet but test carving marks were made on the edges. I wanted to create a sense of atmosphere and ambiguity in the background. Is it a wall or some sort of landscape? I titled the piece "Crucible". The intense red of the platform of wood, the turbulent background caused me to think of such. The work is to be entered into an upcoming "Artists who Teach" show here in San Antonio.

Recent Paintings

I've dove right back into painting again. The last three months I have been able to produce at least 11 works. New found inspiration, and a desire to turn out artwork has led me to interesting avenues within my art. I have begun to appreciate still life subject matter and have enjoyed painting from life, where an artist truly begins to sharpen their skill and see with their own eyes. Not that photography doesn't have a place in the making of good art. Just because an artist uses a camera as an aid does not mean they are not skilled or justified as a real painter. The final image is of concern. Does it carry artistic and creative value? Or is it boring, repetitive, and have the air of copying someone else's ingenuity? I hope my newest work has some of that newness and vitality. 

A New Commission Completed

I've had this commission to compete for some time now, an oil painting of a fruit still-life. I set the "models" up under an interesting light source and took some reference photos. Then I created some painting sketches on Corel Painter to get the feel and composition I might want to use for the painting. When working in acrylic or oil I usually begin by starting with a quick pencil sketch followed up by an oil sketch, usually with burnt umber and mineral spirits. Then I start blocking in the forms. I like to keep it very loose in the beginning and then work into the details. For this particular painting I wanted the the composition to be loose, quick, and full of brush strokes and energy. The texture of the paint is important for this style as well. Please feel free to comment and critique the work.